Sisters' sharp blend of pathos and vulgarity, along with Tina Fey and Amy Poehler's effervescent chemistry, are more than enough to make up for the handful of laughs. Sisters is the kind of movie that makes you want to bang your head against a wall for an hour and a half. It isn't exactly terrible, but it's very frustrating because its plot is driven by every.
The movie begins with events so commonplace they're almost trivial, and the horror of the situation is revealed only gradually. A lithe fashion model and a young newspaperman meet on a quiz. Director Christine Swanson's new film is about the celebrated Detroit gospel group, The Clark Sisters.
She talks to host Rachel Martin about being adamant about casting women who could actually sing. Movie Review: "Saturday Night Live" buddies Tina Fey and Amy Poehler have come together for "Sisters," a raunchy comedy that is decidedly edgier than "Baby Mama." It's also longer. Woody Allen's "Hannah and Her Sisters," the best movie he has ever made, is organized like an episodic novel, with acute little self-contained vignettes adding up to the big picture. Each section begins with a title or quotation on the screen, white against black, making the movie feel like a stately progression through the lives of its characters. Welcome to Just My Opinion Reviews. Here's my opinion/review on 'Sisters' Enjoy and Thanks for tuning in!
Trailer Sisters
Please Like, Comment, Share, and SUBSCRIBE! In the Clark sisters' home, Mama Clark considers the word "easy" a swear. "We don't do easy," she explains to her daughters after waking them up at three in the morning to record a song the Lord sent her in a dream. "We do excellence." Thus, The Clark Sisters: The First Ladies Of Gospel, Lifetime's biopic of the women who brought gospel music to the mainstream, begins. With Margot Kidder, Jennifer Salt, Charles Durning, William Finley.
A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth. The plot focuses on a French Canadian model whose separated conjoined twin is suspected of a brutal murder witnessed by a newspaper reporter in Staten Island. Co-written by De Palma and Louisa Rose.